Dipasaran, terdapat macam-macam lensa fix Canon, mulai dari lensa fix Canon mirrorless hingga lensa fix untuk kamera DSLR. Harga lensa fix canon pun beragam tergantung spesifikasinya. Kami akan menjelaskan tips memilih lensa fix Canon terbaik sesuai kebutuhan. Anda akan menemukan lensa fix Canon STM, lensa fix Canon 50 mm atau 35 mm, dan LENSAFIX CANON EF > Canon EF 14mm f/2.8L II USM Lens Metabones: > Canon EF 16-35mm f/2.8L II USM Lens Metabones: AF-S cepat di Wide, Center dan Flexible Spot Focus Areas Viltrox: AF-S agak cepat di Wide, Sony NEX 5T & lensa Sigma 50mm F1.4 EX DG HSM (for Canon) dengan Viltrox EF-NEX III Contohlensa prime adalah lensa Canon 50mm f/1.8, Nikon 35mm f/1.4G, Canon EF 20mm f/2.8 atau lensa Tamron 90mm f/2.8 Macro. Semua lensa yang hanya memiliki satu focal length tunggal disebut lensa prime atau fixed, sebagai kebalikan dari lensa zoom yang memiliki banyak titik focal length. ProductList - Lenses - Canon Indonesia. DSLR (EOS) Mirrorless (EOS R) Mirrorless (EOS M) Digital Compact Cameras. Lenses. lenshood lensa canon. Hasil pencarian "Lens Hood Lensa Canon" 300 barang. LensHood Canon EW-83J 72mm Canon EF-S 17-55MM Tudung Lensa Lens Hood. Rp45.000. 5 Terjual 2 Jakarta Pusat. DJI PRO Vay Tiền Nhanh Ggads. Perbedaan antara lensa fix 35mm dan 50mm? apa bedanya? TitikFokus Kamera “Sewa Kamera Paling Lengkap” akan menjelaskan secara singkat perbedaannya. Perbedaan antara lensa fix 35mm dan 50mm – Lensa fix yang paling populer dari dulu tentu adalah lensa 50mm. Alasannya karena fokal 50mm punya sudut gambar dan perspektif yang normal, persis seperti mata manusia memandang. Oleh karena itu lensa fix 50mm begitu mudah dijumpai di pasaran, baik merk Canon, Nikon, Pentax maupun Sony. Seiring dengan masuknya era DSLR dengan sensor APS-C, yang memiliki crop factor 1,5 x maka fokal efektif lensa fix 50mm menjadi setara dengan 75mm sehingga sudah tergolong agak telefoto. Maka itu produsen DSLR kini membuat lensa fix 35mm Canon atau 35mm Nikon khusus untuk sensor APS-C, sehingga akan memberikan fokal efektif 50mm bila dikali 1,5. Nah, pertanyaannya lalu apakah lensa 50mm jadi tidak relevan untuk dipilih oleh pemilik DSLR APS-C? Jadi di pasaran saat ini kita bisa memilih dua lensa fix normal yang panjang fokalnya tidak banyak berbeda, yaitu 35mm dan 50mm. Keduanya punya bukaaan besar, ketajaman prima, bokeh yang baik dan harga yang murah untuk versi f/ Lalu mana yang lebih baik untuk dipilih? Pilihan dimulai dari melihat kamera yang dipakai, kami asumsikan anda memakai DSLR dengan sensor APS-C dengan adanya crop factor. Jawabannya bila anda memang menghendaki fotografi 50mm, ambillah lensa 35mm. Fokal 35mm sebenarnya masih tergolong wideangle, namun akan setara dengan 50mm bila dipasang di DSLR APS-C. Dengan lensa ini, kita masih mendapat bidang gambar yang masih cukup lebar tanpa ada distorsi yang berarti. Artinya lensa ini lebih fleksibel untuk dipakai di ruang sempit atau jalan-jalan. Kekurangan lensa ini adalah karena fokalnya yang cuma 35mm, bila dipakai untuk membuat potret wajah secara close-up wajah dan bahu maka kita perlu berada cukup dekat dengan obyek yang difoto. Kekurangan lainnya adalah bokehnya yang masih kurang blur untuk lensa 35mm f/ Tapi bila anda memang menyukai foto potret close-up, lensa 50mm lebih baik untuk dipilih. Alasannya, dengan fokal 50mm dan sensor APS-C, maka fokal efektif akan menjadi 75-80mm yang lebih bersifat telefoto. Memiliki satu lensa 50mm f/ sudah cukup untuk bekal anda memulai hobi foto model, misalnya. Lensa 50mm f/ ini pun sangat murah. Misal untuk lensa Canon EF hanya 800 ribuan, Nikon hanya 1 jutaan versi AF dan 1,9 jutaan versi AF-S.Bokeh yang dihasilkan dari lensa ini pun sangat bagus, tidak terlalu kalah dengan lensa mahal seperti 50mm f/ misalnya. Kekurangan lensa ini adalah kurang efektif untuk dipakai di dalam ruangan yang sempit, dimana kita tidak bisa mundur lagi untuk mencari komposisi yang diinginkan. Selain itu karena Canon atau Nikon tidak punya stabilizer di bodi, maka kita perlu lensa dengan stabilizer khususnya lensa dengan fokal diatas 50mm. Tapi Canon maupun Nikon rupanya memutuskan untuk tidak memberikan fitur stabilizer IS/VR pada lensa 50mm mereka, baik yang f/ atau yang f/ Maka itu saat memakai lensa 50mm, hindari memakai shutter speed lambat dibawah 1/60 detik supaya resiko foto blur akibat getaran tangan saat memotret bisa dihindari. lensa fix 35mm maupun 50mm ini bisa di sewa di TitikFokus Kamera kak tidak cuma kedua lensa fix tersebut, masih ada banyak lensa fix di TitikFokus Kamera yang bisa disewa dengan harga terjangkau Sewa Kamera DSLR Canon Jogja Sewa Kamera DSLR Nikon Jogja Sewa Lensa Canon Jogja Sewa Lensa Nikon Jogja Sewa Lensa Canon Murah Jogja Sewa Lensa Nikon Murah Jogja Sewa Lensa Tele Murah Sewa GoPro Murah Jogja Sewa Aksesoris Videografi Murah Jogja Sewa Kamera DSLR Murah Jogja Sewa DSLR Murah Jogja Both 35mm vs 50mm lenses are standard models that can become universal tools in any photographer's kit. Even though both sizes offer relatively similar focal lengths. 35 mm lenses provide a broader field of view and larger depth of field, which makes them the optimal choice if you don’t know whether you should get the lens for landscape, real estate, or group portrait shots. Despite being a multipurpose length, 50mm is also quite great at creating a bokeh effect and is better at taking close-up portrait shots. Advantages of 35mm Lenses 35mm lenses are great for photographers, who want to capture a wider angle. They are ideal for wedding and street photographers, photojournalists, landscape shooters and travelers. Its viewing angle and aperture ration, which is often large, allows photographers to use the lens in hard-to-reach places and in low light conditions. 1. Wide Field of View 50mm lenses can provide a field of view of just about 40o while 35mm prime models bump that value up to which can be beneficial in a lot of scenarios. Technically, a 35mm lens is considered a wide-angle lens, although it is placed at the very edge of this group. So, you’ll simply fit more of the world into each photograph, making it an amazing lens for real estate photography, landscapes, architecture, travel shots, and photos of groups of people. 2. Greater Depth of Field for Sharp Shots The wider the focal length, the bigger the depth of field, meaning you can have a larger part of the scene in focus. As a result, 35mm lenses give you a better opportunity to capture a sharp subject even if it's not perfectly you plan to place the camera closer to the subject, such a lens will ensure you have more high-quality results to work with. That’s why 35mm is considered the superior lens for wedding photography, as it's a better fit for immortalizing candid also the winner in the 35mm vs 50mm lens battle when it comes to regular day-to-day photography. 35mm models allow you to adopt a natural point-and-shoot approach that lets you spend minimum time worrying about focusing the shot and risking missing the opportune moment. 3. Distortion Is Not Drastic Even though 35mm models are near the top of the wide-angle lens category, the market offers primes with even wider angles, as you can pick from lengths like 28mm, 24mm, and even fish-eye said, one of the biggest benefits of a 35mm model is the natural feel that such a width has, meaning the distortions that are added to landscape and portrait shots are barely impactful and aren’t even noticeable to the casual viewer. 4. Allows for More Flexibility While a wide-angle shot can somewhat confuse the viewer with how much unnecessary space is included in the scene, you can always deal with such a problem by cropping the photo as you see fit during the post production one of the biggest benefits of working with a wide-angle model. While you can't enlarge the subject without approaching it, cropping the image allows you to achieve a similar result, as the subject will occupy a larger part of the shot. Recommended 35mm Lenses Though most manufacturers produce 50mm lenses and the number of 35mm models is much lower, you can still find a reliable one. I chose several 35mm lenses for different budgets. 1. Canon 35mm f/ II USM Mount EF Diaphragm blades 9 Min focus distance Max magnification 1 Filter size Dimensions x in Weight oz ✚ Impressive bokeh ✚ Quality central sharpness ✚ Weather resistance ✚ Quick and silent autofocus ✚ Ultra-Low central CA — Vignetting — Expensive $ If you are looking for a lens for your camera for landscape photography, try this option. This 35mm lens belongs to the line of professional optics and differs from the rest with its technically perfect design. This is a sharp, exceptionally fast, and accurate autofocus, which produces beautiful, professional high degree of protection deserves special praise. This is really a lens designed for use in difficult conditions. Photojournalists, photographers, shooting sports and wedding events will surely like it. The main disadvantage is vignetting. 2. Sigma 35mm f/ Art Mount Canon EF Diaphragm blades 9 Min focus distance in Max magnification 1 Filter size 67mm Dimensions 3in x Weight oz ✚ Solid build ✚ Handy weather protection ✚ Weather sealing ✚ Nearly silent autofocus — AF speed could’ve been better ✚ Adjustable autofocus lock button $ Very high resolution, low distortion and chromatic aberration, beautiful, three-dimensional pattern - all this is available at a reasonable price. Commonly referred to as the leading lens for real estate photography, the Sigma 35mm Art offers stunning optics that can create amazing bokeh, capture all the tiniest details, and produce natural colors. It has a focal length of 35 mm and a bright aperture, meaning it’s a good choice for weddings, events, and urban photos while also being suitable for filming specifically for mirrorless cameras, this 35 DG DN lens is pleasantly lightweight and can add a perfect balance to a compact camera while providing an array of pro-grade features. 3. Nikon 35mm f/ G ED Mount Nikon F-Bayonet Diaphragm blades 7 Min focus distance ft Max magnification 1 Filter size 67mm Dimensions in x in Weight 7oz ✚ Fast and silent autofocus ✚ Lightweight with terrific ergonomics ✚ Top-tier sharpness ✚ Great bang for your buck — Noticeable vignetting — Lacks image stabilization $ Nikkor 35mm follows in the footsteps of Nikon's f/ budget line of lenses. Its sharpness, micro-contrast, color rendition, and other optical qualities are very impressive for such a price, which makes it another “great addition” to the already powerful Nikkor lens line. Judging by the tests, its sharpness is very high, surpassing Nikkor f/ and Sigma 35mm f/ Art lenses with a maximum center output. This is one of the best Nikon lenses for weddings. Autofocus performance and accuracy are also impressive even when shooting in low light. However, vignetting levels are quite high, and chromatic aberrations tend to be rather strong. Advantages of 50mm Lenses Classic 50mm lenses has been the standard for photographers for a long time. Usually, this is the next lens that I recommend to people when they want to upgrade their kit lens. There are several reasons for that. 1. It Allows You to Get Closer to Your Subject The biggest difference between 35mm and 50mm lenses is that the former captures the scene at a bit of a distance while the latter pulls it closer to the bound to run into a situation when you can’t employ zoom or a broader field of view will just cause unnecessary clutter. 50mm lenses provide a narrower shot that will help focus the viewer’s entire attention on the subject of your portrait photography. 2. Better Subject Isolation with Shallow Depth of Field Even though a 35mm lens can encompass a large scene and maintain high sharpness, it can’t come close to a 50mm model at its broadest aperture when it comes to separating the subject from the background. As a result, the latter is the perfect lens for portraits, meaning you’ll have no trouble isolating the model from the background while focusing the viewer’s attention entirely on the facial features, attire, or pose of the a small depth of field can also help enhance your photo with a cinematic feel, as the soft, somewhat unfocused areas make the image feel like it was taken for the silver screen. Additionally, a wide aperture is highly beneficial for low-light shooting conditions. 3. More Affordable Pricing for a Broad Range of Uses If you don’t have a lot of funds, a 50mm lens is the appealing option, meaning it’s the clear winner in the 50mm vs 35mm battle for budget-oriented photographers. Regardless of the manufacturer and whether you’re getting a Canon or Nikon portrait lens, 50mm models will always be significantly cheaper. That is explained by the simpler build of a 50mm lens and the smaller number of used elements. Given that it's still a universal lens and it can be used for any genre from tabletop photography to wedding photos, it’s an incredibly attractive price for a workhorse lens. 4. No Distortion 50mm allows you to take a different look at the world. It lets you discover the perspective in a new way and perceive the environment through peripheral vision. If you use wide angle lenses, you may experience some problems when taking photos, such as distortion, thickening of the object’s edges in the image, or stretching people's features. 50mm lenses will not cause such trouble. You don't have to fix overly sharp noses or long arms. Make sure to compare 35mm vs 50mm lens and take this aspect into account when you choose equipment for shooting portraits. 5. More Compact and Lightweight 35mm lenses are heavier and bulkier than their 50mm counterparts. Consider this if you plan on long shooting. Moreover, the 50mm lens is the best option for photographers who have to move a lot between locations. It takes up less space in your camera bag and is more portable. Recommended 50mm Lenses The choice of 50mm lenses seems to be endless. Each company has at least two 50mm lenses on sale, but most often, there are a lot more of them. Such an abundance of options makes it difficult to choose the best options, so I compiled my favorite lenses to recommend. 1. Sigma 50mm f/ EX DG HSM Mount Canon EF Diaphragm blades 9 Min focus distance in Max magnification 1 Filter size 77mm Dimensions in x in Weight oz ✚ Crisp wide open ✚ Speedy focus ✚ Decent color rendition ✚ Stunning build quality — Pretty heavy $ This lens includes an impressive range of features at an affordable price. Photographers working in extreme environments will appreciate its durable case. The Sigma 50mm lens is a smart choice for those who specialize in travel shot. It delivers excellent center sharpness at F/ thanks to the HSM lens works well in combination with full-frame cameras. It allows you to take photos with accurate colors both in the center and along the edges. When comparing 50mm vs 35mm lens, you will see that this one is suitable for taking pictures in poor light conditions as well as handheld photography. It is also one of the most popular lenses for product photography. Attach it to your camera for product photography and you will get outstanding images. 2. Canon 50mm f/ USM Mount Canon EF Min focus distance Max magnification 1 Filter size 72mm Dimensions x Weight ✚ Ultra-bright f/ max aperture ✚ Outstanding build quality ✚ Great weather protection ✚ Fine center sharpness — Expensive $ The key feature of the Canon EF 50mm f/ USM is its super-bright aperture. Besides, it stands out for its advanced optical layout and solid physical design. The incredibly fast f/ maximum aperture lets you control the depth of field for isolating subjects and producing flattering focus to the Super Spectra coating, the lens produces less ghosting and glare. What's more, you get amazing contrast and color accuracy in all lighting conditions. A ring-type USM provides fast and silent autofocus performance. You can also control the focus manually. This is a great option if you are looking for the best Canon wedding lens. It does an excellent job when you need to take bridal portraits or group pictures. 3. Canon 50mm f/ STM Mount Canon EF Diaphragm blades 7 Min focus distance Max magnification Filter size 49mm Dimensions x in Weight ✚ Lightweight ✚ No noise when focusing ✚ Impressive sharpness ✚ Super Spectra coating ✚ Excellent value for money — Lack of stabilization — Slow focus speeds $ Canon EF 50mm f/ STM can be called the perfect lens for an amateur photographer. This affordable lens allows you to take photos with flattering bokeh. It supports top optical quality, fast autofocus and other impressive features. The only significant disadvantage is the maximum is sold at a reasonable price and has solid build quality. The new metal mount makes it safe to attach. If you have a limited budget, take this lens. By the way, many experts consider this model to be one of the best lenses for newborn photography. Crop vs Full Frame Sensor It makes no sense to make a 35mm vs 50mm comparison, if we are talking about different sensor types. Different cameras have different sensor sizes. A full frame camera is simply a camera with a sensor of the same size as 35mm film. Depending on the full frame or crop sensor, the lenses will act as a different focal length because of the difference in sensor you use a 50mm lens on a crop sensor, it becomes 75mm. In other words, you'll get a photo that looks just like it was taken with a 75mm lens paired with a full-frame camera. Since the crop sensor affects the output image size, you need to choose the right get a photo that matches the picture shot with a 50mm lens on a full-frame camera, you should use a 35mm lens combined with a crop sensor. A 24mm one will provide you with a 35mm look. Don’t forget about this nuance when you are looking for the cheapest full frame camera. There is no obvious leader in the 35mm vs 50mm battle. Each lens is suitable for specific needs and delivers excellent results in different situations. You must consider your goals and the particular genre of photography you specialize in. If you want a wider focal length, I recommend choosing a 35mm prime lens. This is a great option for both studio and outdoor shooting. It’s suitable for such genres as landscape, architecture, real estate shots and more. However, keep in mind that using these lenses you may notice various kinds of distortion. The edges of elements may appear thicker and people's features may look stretched. On the other hand, these are excellent lenses for family portraits and group photos as you can fit more people in the frame. The 50mm option is a wise decision for those who only plan to use one lens. Portrait photographers choose this lens because it produces less distortion. As a result, people look more natural. Beautiful bokeh and a shallower depth of field are other pluses. However, this is not the best option for a photo session in a small space. It will be a challenge to move around and take good for me, I use a 50mm for most general shooting projects. Despite its limited flexibility, it handles most scenarios well and works great with wide scenes. If you can afford either 35mm or 50mm, I recommend you opt for a 50mm lens. On the other hand, if you can afford it, get both for better flexibility in shooting. Asking a photographer the question, “35mm vs. 50mm lens” might open a can of worms you didn’t mean to open. However, the question of carrying a 35mm vs. 50mm camera lens can be broken down, quantified, and dealt with when you distill the facts. However, depending on the kind of lens or lenses you carry are dependent on what you’re trying to accomplish as a photographer. However, if you really do want to stage a 35mm lens vs 50mm lens battle, we have a simple answer for you. When comparing the two, we think you should go with the 35mm lens vs. the 50mm lens. We’ll outline exactly why. This is a helpful guide discussing reasons why the 35mm lens is better than the 50mm lens. We’ll be covering the following topics click on a bullet point to jump to that section 35mm vs 50mm Lens 1. The 35mm Captures a Wider Frame 35mm vs. 50mm lens a battle of widths To put it simply, a 35 mm camera lens captures a larger part of what is in front of the camera. If you’re a photographer trying to capture a moment, then the wider the better. 2. The 35mm Lens Will Have Minimal Distortion Even better, a 35 mm will offer you a much wider angle without the amount of distortion you’d find in a 50 mm lens. While it’s true that you could pull back from your subject with a 50 mm lens you’d still be dealing with distortion at the edges of your photographs. 3. A 35mm Lens Is Similar to the Human Eye 35mm vs. 50mm lens beauty is in the eye of the viewfinder While a standard 50 mm is a great lens under certain conditions, the 35 mm lens is a much more natural way to capture your subject, especially if you’re shooting a wedding or a portrait session on the street. What your 35 mm lens captures will be very similar to how you see your subject, so framing, composition, and capturing those lightning-in-a-bottle moments become much easier when your personal field of view is similar to your camera’s. 4. A Wide-Angle & Large Aperture Work Well in Low Light 35mm vs. 50mm lens large and in charge While there are much wider lenses on the market, 35mm is still considered to be a “wide-angle” in the industry. Because of the wide-angle and large aperture, your camera will let in more light faster. This allows the lens to perform well even in low-light scenarios. Capturing organic moments is much easier when dealing with natural lighting. Yet, sometimes performance in low light is too poor for that to be the reality. A 35 mm lens is a great asset to low-light, natural shooting. 5. The 35 mm Lens Allows You to Get Closer to the Action 35mm vs. 50mm lens there is no such thing as too close If you’re a portrait photographer, then you should be well-acquainted with the 35 mm lens because of the intimacy it provides you. No one wants to have to stand feet away from their model even if a 50 mm can capture your subject in startling detail. 6. The 35mm Lens Allows You to Capture Images with More Emotion The truth is, portrait photography is all about feeling. Much of the time, to capture that feeling you need to get in close. The 35 mm is wide enough that you can get right up to your subject, get personal, and hopefully capture something magical. 7. 35mm Lens is a Versatile Way to Shoot 35mm vs 50mm lens jack of all trades Some of us aren’t relegated purely to portrait or landscape photography. Sometimes we do both and sometimes we do them at the same time. However, if you’re using a true wide-angle lens for shooting a landscape then you’d be hard-pressed to turn that around on a subject and get a satisfactory effect—a super-wide lens like the 20 mm captures a lot but forgoes a lot of detail in the process. Along the same vein, a 50 mm lens is a possible lens for close-ups but would fail miserably to try and convey the vastness of a landscape. Luckily, the 35 mm lens sits comfortably in between both. It functions well for landscape shooting and portrait photography. In the hands of a professional, it can even pass as a go-to lens for the kind of pure, simple, and nomadic shooting many photographers can only dream of. To further explore the benefits of a 35mm lens, we also recommend this video by Brandon Cole The Best 35mm Lenses A good lens is not a cheap one. Think of your camera as the home you build for yourself. Without furniture and appliances, it’s pretty useless. Your camera lenses fill that void and give your camera the ability to harness its power. The better the lens, the more versatility you’ll have as a photographer. Canon EF 35mm f/ II USM Lens You can never go wrong with buying a Canon lens. The company doesn’t just produce reliable cameras—they make some of the best glass on the market. The relatively new Canon EF 35mm is a stellar camera lens. It’s fundamentally high-end yet intuitive as far as lenses go. If you want sheer, expensive power that isn’t challenging to wield, then this is your lens. I have personally borrowed this lens from a friend and it is AMAZING. I am saving up for this lens, however, if you have the budget, I highly recommend this lens. I personally use the Canon EF 35mm f/2 IS USM Wide-Angle Lens which you can find further below and it is what all the images in this post are used with! My Pros With This Lens 50% brighter than most models With AC/DC adapter Wide range of height options My Cons With This Lens Higher price point Sony 35mm Sonnar T FE ZA If you aren’t considering Sony the next time you consider your next DSLR camera, then now is the time. Sony has proven time and time again to the industry that they make great cameras and great mid-range lenses. If the name Zeiss doesn’t catch your interest, then people may wonder if you’ve been taking photos under a rock. At the end of the day, this Sony lens is a great, inexpensive powerhouse that flaunts an extremely high-end name. My Pros With This Lens Amazing bokeh Crisp, clear images Light weight Prime lens My Cons With This Lens A bit pricier but worth the investment Nikon AF NIKKOR 1923 35mm f/2D Both Nikon and Canon go hand-in-hand when it comes to cornering the photography industry. However, Nikon has always skewed slightly cheaper while still providing comparable performance to Canon. The Nikkor 1923 is no exception—it’s a mid-range lens priced that is priced a couple of hundred dollars less than its competition. My Pros With This Lens Small Well built Focuses fast My Cons With This Lens A bit soft at f2, but very nice from on The Best 35mm Lenses on a Budget Sometimes you’re just starting as a photographer and just want to hit the ground running without making a huge upfront investment. That’s understandable, although photography is not a cheap hobby! However, there are some solid, budget-friendly 35mm lenses out there if you look hard enough. Rokinon IO35AF-E 35mm f/ Meant to fit Sony E cameras, this third-party lens is a great 35mm option that is a fraction of anything Sony will sell you. It’s durable, sleek, and will perform perfectly at a much lower-than-expected investment point for a camera lens of this magnitude. My Pros With This Lens Sharp image quality Good bokeh Focuses pretty much as closely as Sony version My Cons With This Lens Not as accurate in low lighting Canon EF 35mm f/2 IS USM Wide-Angle While not cheap by third-party standards, this quintessential Canon lens is still a great value for what you get; an extremely versatile 35mm lens that can do 100 things your 50mm can’t. If you need a one-lens-fits-all option, then this lens is a good start. This is the lens I personally use and I have loved it since the day I bought it because it is so versatile. All the images in this post were shot with this lens! My Pros With This Lens Sharp image quality Speed of focus Light and compact My Cons With This Lens Not the f/ Nikon AF-S DX NIKKOR 35mm f/ While not as good as the aforementioned Canon lens, this 35mm lens by Nikon is truly one of the cheapest name-brand lenses on the market. It may underperform against similar lenses, but those similar lenses are a few hundred dollars more expensive. With this, you get what you pay for, which is affordable clarity and plenty of versatility. My Pros With This Lens Bright aperture Compact and ligh My Cons With This Lens Some barrel distortion Narrow, rough-feeling manual focus ring Final Remarks We hope this guide helped you gain further clarity on the differences between a 35mm and 50mm! I am a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to and affiliated sites. Frequently Asked Questions Is there a big difference between 35mm and 50mm? Yes, there is a noticeable difference between 35mm and 50mm lenses, both in terms of field of view and image distortion. A 35mm lens will have a wider field of view than a 50mm lens, and can create a more immersive and dramatic effect, while a 50mm lens will have a more natural and flattering perspective with less distortion. Is 35mm or 50mm more versatile? Both 35mm and 50mm lenses are versatile, but the choice of which one is more versatile depends on the photographer’s shooting style and preferences. A 35mm lens is often considered more versatile due to its wider field of view, which can be used for landscape, street, and environmental portrait photography, while a 50mm lens is often preferred for portrait and low light photography due to its natural perspective and wider aperture. Should I get a 50mm if I have a 35mm? Whether or not you should get a 50mm lens if you already have a 35mm lens depends on your photography needs and shooting style. If you shoot a lot of portraits or in low light situations, a 50mm lens with a wider aperture may be beneficial. However, if you primarily shoot landscapes or environmental portraits, a 35mm lens may be sufficient. One of the most common questions I get asked by other photographers is, “Which prime lens should I get? 35mm vs 50mm?” Indeed, the answer to this question could really help you, whether you photograph portraits and weddings, or any sort of general photography from epic landscapes to casual everyday moments. So, what is the answer? Well, as you can probably guess, the correct answer is, “It depends!” It depends on what type of photography you do, of course, but it also depends on your creative style as an artist. Let’s dive in and help you determine whether a 35mm vs 50mm prime lens is better for you. What is the Difference Between 35mm vs 50mm? Nikon Z 35mm f/ S vs Nikon Z 50mm f/ S Not much difference besides the numbers? First, let’s make sure we understand the technical difference between 35mm vs 50mm. The two prime lenses are quite similar, but that 15mm in between the two numbers sure does make a difference. If you want to skip to the next part and avoid the technical explanation, here’s the simplified version 50mm is considered to be the most “normal” focal length. It is the midpoint between two very common categories of lenses wide-angle and telephoto. 35mm, as its lower number implies, is a slightly wide-angle focal length, but not by much. In other words, 35mm fits more into your composition than 50mm. To get technical, 50mm will give you about a 47-degree angle of view, and 35mm will give you about a 63-degree angle of view. We are assuming a full-frame camera sensor. If you’re having trouble visualizing that, just remember that 90 degrees is a right angle, so, a 50mm prime is almost half that, and a 35mm is right in between. By the way, a 90-degree angle of view would be about a 21mm lens. 35mm vs 50mm on a Crop Sensor Of course, if you have a cropped sensor, the effective angle of view changes. On APSC sensors with a ~ crop factor your 50mm lens will become a bit of a telephoto prime at ~75mm, a 33-degree angle of view, and your 35mm will become a normal prime, around 52mm, or a 44-degree angle of view. What if you have an APSC sensor camera, and want the same full-frame equivalent as 35mm or 50mm? 35mm will “turn into” 50mm, and 24mm will “turn into” 35mm. If you have a Micro Four Thirds sensor, with a 2x crop, then in order to achieve 35mm and 50mm equivalents, you’ll want an ~18mm prime or a ~25mm prime. But, enough of the numbers! Let’s see a visual representation of what 50mm and 35mm look like in the real world 35mm, f/ 50mm, f/ 50mm, f/ 50mm, f/2 35mm, f/ Photo courtesy of Wedding Maps 35mm, f/ 50mm, f/ 35mm lens vs 50mm Lens Which is Better for You? 50mm, f/4 When it comes to deciding on 35mm vs 50mm, there is the practical, technical aspect of it, and there is also the creative, artistic aspect. Think about how you would take the same picture with both lenses. Let’s say you’re photographing a portrait of a human subject, and you want to frame them the same way with both lenses. With your 50mm lens, you might need to step back, away from your subject, while with your 35mm lens, you might need to step forward, towards them, because of the wider angle. A viewer may not be able to identify exactly which lens you used, however, they’ll often be able to feel a “closeness” to your subjects, especially with a 35mm lens if you take a step closer to your subject. So, here’s the deciding factor, the big question you can answer with just a little bit of practice Do you prefer to get closer to your subjects, or do you prefer to remain a “normal” distance away? 35mm vs 50mm Lens for Portrait Photography 50mm, f/ When it comes to portrait photography, “normal” focal lengths are not always considered to be optimal. In fact, if you ask most portrait photographers about a “portrait lens”, they’ll probably mention an 85mm prime or a 105mm prime! If you are often photographing just one portrait subject, maybe two, then either a 50mm or even an 85mm prime is usually a great choice. However, if you are often photographing more than two or three subjects, especially more than five, you’ll find that 35mm is just a more practical focal length for fitting everyone into the frame. 35mm, f/2 What happens if you photograph one person’s portrait with a 35mm prime? The closer you get to their face, the more your closeness, and the wider angle of your lens will exaggerate their facial features, essentially making their nose look bigger! This is often considered unflattering, however, with careful consideration to the exact distance between you and your subject, a 35mm prime can create a sense of closeness and intimacy with the subject that you simply won’t achieve with an 85mm prime, though you can come closer to it with a 50mm. Remember, Photography “Rules” Are Meant To Be Broken! Oppositely, what if you try to capture a large group, say a bride and seven bridesmaids, with a 50mm or even 85mm prime? Well, first of all, you’ll need a lot of room to back up and fit them all into the frame! This isn’t always possible, and for that reason, I simply can’t recommend trying to do all your portraits with a 50mm, especially at a wedding where constraints indoors may be unavoidably tight. However, if you can back up far enough to fit a group into the frame, you’ll be rewarded with the opportunity to create a bit more shallow depth of field, when using a fast aperture, and this can make up for the sense of distance between your camera and the subjects. Personally? I often find that when doing weddings in general, and wedding portraits, I tend to reach for my 35mm prime, because I am more often in closer quarters, and more often capturing groups of 3-5 or more people. 35mm vs 50mm Lens for Candid & Street Photography 35mm, f/ Whether you are out and about on vacation, or just hanging out around the house, having either a 35mm or 50mm prime at your disposal can be a thing of beauty. If you’re trying not to intrude on a special, quiet, intimate moment, then having a relatively small f/ or f/2 prime on your camera can help you become more unobtrusive around your subjects. Which focal length is best for these situations? If you’re always forced to keep some distance from your subjects, maybe because they are shy, then a 50mm prime lens will allow you to capture many types of moments without having to get “in their face” so to speak. 35mm, f/2 Oppositely, if you’re able to “get in the action” without disturbing anyone, a 35mm lens can allow you to immerse your viewers in the scene a little bit more, by allowing them to feel closer to the subject, and also see a bit more of the surroundings in the background. Personally? Once again, I reach for a 35mm lens, preferably a small, unobtrusive f/ prime. 35mm vs 50mm Lens for Landscape Photography 24mm on APSC 35mm equivalent Landscape photography, as well as most types of outdoor or nature photography, is where the technical factor of your focal length will play the biggest role. Why? Because most of the time, a lot of your subject may be very far away, essentially “infinity”, which means that taking a step forward or back will do almost nothing to change all of your composition, or at least the background. 35mm, f/ For this reason, both your creative and technical decision become very similar. What angle of view do you find to be the most useful? Do you prefer a wider view that includes more of the scene? Or, do you enjoy focusing on tighter, oftentimes more simplified compositions? Again, there’s no wrong answer. I will say, however, that my personal favorite focal length for landscape photography is, once again, 35mm. 35mm & 85mm An Excellent Combination 35mm, f/4 At this point, I hope you’re wondering why I like 35mm so much. If I had to choose only one lens, I don’t know if it would be a 35mm prime, honestly. I may have chosen 35mm for the above genres, but I don’t believe I could do everything with this lens. Here’s my secret. For portrait, wedding, and candid photography, I’d pair a 35mm prime lens with a telephoto prime lens like an 85mm. This would give me the best of both worlds. If I want to isolate the subject background blur, I can move back and do that with an 85mm prime. With landscape, travel, and other types of outdoor photography, again, I wouldn’t choose a single 35mm prime lens — no way. I’d much rather have a wide-angle zoom lens. Some standouts include the 16-35mm, 15-35mm, or even 14-35mm lenses, not to mention Canon’s new RF 14-35mm f/4 L IS. 35mm & 50mm Top Recommendations Surprisingly, I’m not going to tell you that certain 35mm or 50mm primes are terrible, and others are great. You can’t go wrong with almost any 35mm or 50mm prime that has been released in the last few years. They’re all excellent. You can choose between affordable options like the Samyang 35mm f/ AF, or flagship lenses like the Sony FE 35mm f/ GM! The truth is, what is more important is your specific need and your budget. In addition to being an excellent value, there’s another advantage I mentioned being “incognito.” A small, compact, affordable prime such as the Nikon Z 40mm f/2, offers a nice split-the-difference focal length between 35mm and 50mm!, especially compared to lugging around the giant, heavy, attention-grabbing Nikon Z 50mm f/ S. Also, if you don’t plan to shoot wide-open, there’s even less reason to spend a lot of money! All primes these days are excellent by the time you stop them down just one or two stops. So, when shooting landscapes at f/8, you might as well get the affordable, lightweight, portable prime! Conclusion 35mm, f/ With that being said, here is the conclusion that I hope you all draw from this article. On the one hand, there’s no “wrong” choice when deciding between two relatively similar prime lens focal lengths. On the other hand, certain types of photography and specific conditions simply lend themselves to one focal length or another. The best thing you can do is to try both focal lengths, and see which one fits your creative style! On the other hand, sometimes the best lens for the job is a pair of primes or a zoom lens! Pye Jirsa is the founder and partner of SLR Lounge, Visual Flow Presets, and Lin and Jirsa Photography. Pye has taught and inspired thousands of photographers around the world with frameworks that make seemingly complex and intimidating topics simple and approachable. His frameworks have also helped create and scale Lin and Jirsa Photography, a boutique Socal wedding and portrait photography studio that shoots over 1,000 wedding, portrait, newborn and commercial clients each year.

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